The end of 2017 marked the conclusion of Russia’s two-year-long tourism brand competition. The winner's colorful and dynamic avant-garde brand system goes into effect this year.
All in Logo of the Day
The end of 2017 marked the conclusion of Russia’s two-year-long tourism brand competition. The winner's colorful and dynamic avant-garde brand system goes into effect this year.
Slate's recent “Redux” makes use of bright colors, hand-drawn elements, layers upon layers, and two strong typefaces.
Pentagram revealed its branding for Buffy, a cruelty-free, vegan-safe duvet company.
Two European schools—Masaryk University and University of Bergen Faculty of Fine Art, Music and Design—unveiled new identities this week. The brands offer contemporary typographic treatments, lending themselves to comparison.
Zürich pays homage to its design roots with a new identity that could be confused for the work of Müller-Brockmann himself.
Designed in collaboration with Commercial Type, the yogurt giant's in-house team develops a new brand typeface—a serif, after a decade of using a geometric sans serif.
Graphéine's branding for the newly formed city of Annecy makes use of the region's history through icon, type, and color.
Massive crowd-funding platform Kickstarter announced two impressive rebranding projects this week. Firstly, Kickstarter updated its own brand; then they made a big splash relaunching Drip, a creative-community platform.
ebay's new visual identity marks the end of the online auction giant's quirkiness.
After using a new logo each year for its first 33 years, the VMAs say the latest logo, designed by OCD, is here to stay.
The video behemoth designs a new logo to go along with major platform changes.
Everyone has a favorite logo. We’re starting a new series, Logo of the Day. (Well, maybe not every day.)